21st Century Learning Expertise

http://blperkins.blogspot.com/2012/06/21st-century-teacher.html

http://blperkins.blogspot.com/2012/06/21st-century-teacher.html

LAUREL J. FELT is an expert in 21st century learning. She is an Instructional Design Specialist with the USC Dornsife Joint Educational Project, one of the largest and most well respected service-learning organizations in the country. She also consults with two non-profits: Laughter for a Change (L4C) and The African Network for Health Education (RAES). L4C employs improvisational theater games and comedy training to foster new forms of learning and contribute to healing and a sense of well-being, particularly among underserved populations. RAES, based in Senegal’s capital city of Dakar, supports innovative applications of information and communication technology to strengthen local health and education programs.

Currently a doctoral candidate in Communication at the USC Annenberg School for Communication and Journalism, Laurel is crafting a dissertation that showcases her expertise in designing innovative curriculum and conducting participatory assessment, and also honors her commitment to fostering social and emotional competence and media literacy. Specifically, this dissertation examines the impacts of an original, online curriculum aimed at enhancing undergraduates’ social and emotional competence by offering them opportunities to practice skills in service-learning contexts, think with/through media, and participate in a hybrid (online and offline) community of practice.

For Laurel, 21st century learning encompasses the following research interests: participatory learning[i]; social and emotional learning[ii]; new media literacies[iii]; traditional and evolving definitions of media literacy[iv]; and powerful play, a mode that combines fun with experimentation in hopes of facilitating transformative outcomes (e.g., joy, learning, rapport). Impact games and improvisation are both forms of powerful play[v].

Over the years, Laurel has explored these research interests in various roles:

  • Lead Research Assistant with USC Project New Media Literacies’s program, Participatory Learning And You!;
  • Teacher-Researcher with the Expanding Minds Program in Mumbai, India;
  • Interim Instructional Design Coordinator with the USC Shoah Foundation;
  • Research Assistant with Dr. Sheila Murphy’s entertainment-education research program at Hollywood, Health, and Society; 
  • Research Assistant with Dr. Stacy Smith’s females-in-film research program; and
  • Co-chair of USC Impact Games.

Currently, Laurel has a book chapter and two peer-reviewed journal articles in press, and several projects in development that extend both theory and practice in the aforementioned research areas.

In terms of secondary research interests, Laurel is committed to designing, implementing, and championing methodologies that amplify participants’ voices in assessment activities[vi]. She hopes to use these inclusive tools for evaluating youth storytelling programs, since evaluations tend to highlight growth in only technical (and not also academic, social, and emotional) competence. Laurel foresees working with such individuals as improvisational and traditional theater educators, media literacy/production instructors, creative writing teachers, game designers, and librarians.

To conversations about teaching and learning in the 21st century, Laurel wishes to contribute evidence and strategies that support holism and balance, e.g., incorporating the cognitive AND the social-emotional, the digital AND the analog. Laurel also hopes to engage in dialogue with educational administrators and policymakers who under-appreciate how participation in activities that support self-expression and occur within a supportive community of practice, such as artistic endeavors, can enrich healthy, holistic development.

Laurel is a member of the Digital Media and Learning network, the National Association for Media Literacy Education, the International Communication Association, and the National Communication Association, and has presented papers at all of these organizations’ conferences. She is also an alumna of Northwestern University and Tufts University.

As an undergraduate at Northwestern University, Laurel completed minors in political science and French and earned a bachelor’s degree in social policy. Her applied experiences were just as (if not more) important than her classroom work. Laurel interned with U.S. Senator Daniel Patrick Moynihan in Washington, D.C., and the U.S. State Department in Vienna, Austria; she  also spent her junior year abroad in Paris, France. During her three years on campus, Laurel studied and performed improvisational theater with a consistent ensemble, frequently volunteered with student film projects, and wrote for the nationally-recognized campus newspaper The Daily Northwestern in various capacities– as a features reporter, film critic, and weekly humor columnist. For her honors thesis, Laurel conducted one-on-one interviews with early childhood educators on-site in Chicago, Paris, and Oslo, examining if and how these participants’ self-reported professional priority – specifically, education or care – correlated with their nation’s social policies.

After graduation, Laurel interned with non-profit children’s theater/creative writing workshop Barrel of Monkeys, served as a media educator for The Chicago International Children’s Film Festival (the world’s largest festival of children’s film), and worked in the cutting-edge multimedia department of a suburban library. Six months later, she relocated to Boston…

Laurel attended Tufts University from 2004–2006, earning a master’s degree in child development. For her applied practicum, she interned for PBS Kids’s educational television show Fetch! with Ruff Ruffman. Laurel also facilitated formative evaluation of PBS Kids’s educational television show Postcards from Buster by training and supervising a team of data collectors, as well as liaising with five urban, 1st-grade classrooms. Laurel’s honors thesis, which utilized survey research and focus groups, contextualized middle school girls’ use of instant messaging within an Ericksonian developmental framework. Laurel identified the various types of social aggression that participants reported in that online space, and also explained the ways in which certain features of instant messaging met these adolescents’ developmental and functional needs. Finally, Laurel worked for four years as an early childhood educator, employed as a Graduate Teaching Assistant at the department’s laboratory school, the Eliot-Pearson Children’s School, and previously at Harvard Yard Child Care Center and the Open Center for Children. Throughout these years, Laurel sat on the Steering Committee of Teachers Resisting Unhealthy Children’s Entertainment, assessing the developmental productiveness of various best-selling toys.

After graduation, she worked for two years as an editor and freelance writer of educational print products for primary school students and teachers. She also performed with all-female improvisational theater troupe Valid Hysteria, and co-founded a Los Angeles-based company that produced live-action, webisodic e-cards featuring a cast of irrepressible twenty-something’s. Then she started her PhD…

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Counting What Counts

lightbulbI am an eager learner, critical thinker, and sensitive communicator with a fervent desire to do work that matters. I believe in the value of inter-disciplinary collaboration for building, remixing, and extending theory, and constructing comprehensive, practical responses to multi-faceted, real world challenges. My methods are mixed, my style is collegial, and my aim is to support youths’ development.

How I got here is an easy story to tell. My loving parents, both caregivers by profession (dentist father, social worker-turned-housewife-turned-social worker mother), raised my two siblings and me in a town populated by “have’s.” While there were and still are richer folks financially, few have access to our community’s social capital – at least, that’s what both Reverend Jesse Jackson and then-President Bill Clinton said during their separate visits to my high school during my senior year. Later, as a college freshman enrolled in a sociology course entitled “Social Inequality: Race, Class, and Power,” I read Jonathan Kozol’s landmark book Savage Inequalities (1991), which pitted the privileges enjoyed by students in my town against the deprivations endured by students in East St. Louis, where schools couldn’t afford toilet paper. This made an impression. So too did my realization that, beyond creature comforts and access to power, I was given emotionally responsive contexts, both at home and at school, in which to grow safely and love freely. I became a Social Policy major because I knew such gifts were not my right, I was just born lucky; or perhaps such gifts are everyone’s right, and “luck” should be taken out of the equation.

For the past 10+ years, I have designed, delivered, and assessed curricula to support youths’ learning; importantly, these curricula facilitate not just cognitive development, but social and emotional development as well. With the support of my polymathic advisor, Dr. Henry Jenkins, and diverse university institutions — e.g., USC Joint Educational Project, USC Institute for Multimedia Literacy, USC Annenberg Innovation Lab, USC Shoah Foundation, and USC Impact Games — my interdisciplinary, community-focused work has been applied to educational settings in Los Angeles and around the world. My specific research interests include:

  • Empathy and social and emotional learning;
  • Interactive, inquiry-driven pedagogy and assessment (e.g., connected learning, participatory learning, experiential learning, participatory action research);
  • Productive problem-solving across no-tech, low-tech, and high-tech contexts (e.g., media literacy, new media literacies, digital citizenship); and
  • Powerful play (e.g., impact games, experimentation and improvisation for discovery).

Because I care about both maximizing the effectiveness of educational interventions and richly understanding program-related change, assessment is incredibly important to me. Twenty-first century skills, which I have identified in my publications as new media literacies (NMLs) plus social and emotional learning skills (SELs), are what I have sought to theorize, teach, and assess (see Felt & Rideau, 2012; Felt, Vartabedian, Literat, & Mehta, 2012; Vartabedian & Felt, 2012). Recently, I adapted the NMLs from a list of 12 discrete skills to a list of 6 paired skills, and then identified which NML pair plus two SELs collectively represent a characteristic of digital citizenship (see www.laurelfelt.org/skill-composites). The programs I have co-designed and evaluated (e.g., Sunukaddu 2.0, Explore Locally Excel Digitally, Summer Sandbox, PLAYing Outside the Box) outreach to educators and students via professional development and developmentally-appropriate curricula, respectively, and utilize both participatory learning strategies and media-making to enhance 21st century skill proficiency.
I always use mixed methods to study impacts, including pre-mid-post surveys, ethnographic field notes, interviews or focus groups, and analysis of participants’ works.

But for the past two years, I also have expanded my assessment toolkit in order to recognize traditionally overlooked data, which my co-authors and I have termed “cultural beacons” (CBs). CBs are culturally-embedded, user-defined measures for understanding communicative meaning(s), components, and sites of change; they illuminate (as beacons do) unique features of people and places (Felt, Dura, & Singhal, in press; Dura, Felt, & Singhal, 2012). Detecting CBs requires researchers’ sensitive listening and informed observation, made possible through respectful community partnerships and participatory methodologies. Accordingly, I embraced participatory action research with the PLAY! project, and am using this approach for conceptualizing my dissertation, “A Face is Worth a Thousand Words: Using Badges to Train Teachers in Non-verbal Sensitivity and Improvisation.” This dissertation investigates if/how training novice teachers in non-verbal sensitivity and improvisation impacts both the proliferation and management of “teachable moments” — critical points when students are poised to meaningfully learn because they perceive a connection between their studies and their lives. Crucially, this teacher training will be administered online via an original curriculum that uses digital badges to impact social and subjective norms, support community-building, and celebrate the journey.

In terms of my career, I am committed to keeping my mind and options open, for life (I hope!) is long and the world is ever changing. Because I love teaching and conducting research to enrich educational programs, I could remain in academia. I also could continue to provide consulting services for organizations domestic and foreign, based in the West, Far East, and Global South, who register as non-profit, for-profit, and governmental. To 20+ organizations over the years, I have delivered: curriculum and assessment development; training and professional development; program evaluation; media literacy for children and families; children’s media research; and impact game consulting. As long as we care to better support our children’s healthy development and expand their opportunities, there will be work for me to do, and I will want to do it.

Change Through Laughter

Viola Spolin and kidsIn the early 1940s, social worker Viola Spolin developed a suite of theater games to stimulate creative expression and build community among Chicago’s diverse immigrant populations. Spolin’s son Paul Sills, founder of legendary theater The Second City, offered up his mother’s games to his comedic ensemble; and ever since, improvisers the world over have played them in order to hone their craft.

But here in Los Angeles, since the founding of non-profit Laughter for a Change (L4C) in 2007, these games have returned to their original context and purpose: helping to build confidence and meaningful connections among residents of underserved communities.

During 2011-2012, L4C founder/director Ed Greenberg ran an after-school workshop with a dozen predominantly low-income, Latino high school freshmen; a trained improviser/doctoral candidate acted as a participant-observer during this year. Through analysis of ethnographic fieldnotes, surveys, and interviews, they found that improvisational theater games provided a no-tech context to practice skills vital to media literacy, such as negotiating trust and exploring identity. As articulated by Felt and Rideau (2012), developing these skills, even in no-tech contexts, prepares learners to apply them in mediated contexts.

In terms of products, participants reported less shyness, more self-confidence, increased comfort with public speaking, greater participation in academic classes, a broader view of teamwork, and fun. L4C’s use of games may help to explain its educational effectiveness. According to USC’s Project New Media Literacies, play “supports constant learning and innovative responses to our surroundings” (Reilly, Jenkins, Felt & Vartabedian, 2012, p. 6). Positive affective climates such as L4C’s also predict such educational boons as greater academic risk-taking and increased motivation (Meyer & Turner, 2006).

L4C’s website claims, “Laughter is powerful. Laughter heals. Laughter builds community.” This study’s findings suggest that L4C’s pedagogy is powerful too, and might help to leverage formal and informal educational settings for healing challenged communities.

Doing Learning

Aristotle once said, “For the things we have to learn before we can do them, we learn by doing them” (Miller, Vandome & Brewster, 2011).

Thus, schools should facilitate access to a verb, not a noun – that is, they should enable the process of learning rather than proximity to artifacts of knowledge.

Participation and play are the modes by which to realize this (re)vision of learning.

TO BE CONTINUED…

Non-verbal Sensitivity in the Classroom

lectureCollegiate service-learning programs frequently send undergraduate volunteers to teach in community classrooms. While these programs train volunteers in logistical requirements and safety procedures, and sometimes even assist with lesson-planning, rarely (if ever) do they train volunteers in classroom practices — that is, how to negotiate the transactive process of teaching dynamic learners.

Formative research with the University of Southern California (USC)’s service-learning program, the Joint Educational Project (JEP), suggests that this training shortfall increases the likelihood that volunteer teachers will fail to leverage “teachable moments” (Havighurst, 1952). According to Pacifi and Garrison (2004), teachable moments occur when space opens for students to meaningfully connect with their studies. Because students better recall lessons that engage their emotions (Immordino-Yang & Damasio, 2007; Meyer & Turner, 2006) and strike them as relevant (Lave, 1996), and teachable moment-related learning does both, it is important to make the most of each teachable moment. Leveraging teachable moments requires teachers to be “completely present” and, with their students, “creatively explore imaginary possibilities together” (Pacifici & Garrison, 2004, p. 126).

Being completely present suggests a teacher’s attunement to the activity and energy in the classroom; such a teacher would notice, for example, various students’ non-verbal communication and engagement levels. To leverage teachable moments, this teacher also would correctly interpret these signals in order to detect when and where spaces open for meaningful educational connection. Finally, this teacher would have to feel sufficient self-efficacy in improvisation to abandon a pre-formulated lesson plan and extemporaneously, creatively explore imaginary possibilities with the student(s) in question.

This presentation will present results from the next phase of formative research, specifically survey data, classroom observations, and one-on-one interviews that illuminate JEP teachers’ non-verbal sensitivity, recognition of students’ signals, modes of response, and encounters with teachable moments. It also will outline the following phases in this dissertation project: 1) designing a media-rich, online module via BadgeStack to train JEP teachers in both sensitivity to non-verbal communication and proficiency in improvisation; 2) piloting the module with experimental and control groups during Fall 2013; and 3) analyzing outcomes.